文学与跨文化研究（三）：从文化交汇到全球化

10

跨文化研究

Intercultural Research

文学与跨文化研究（三）：

从文化交汇到全球化

Literature and Interculturality (3): 

From Cultural Junctions to Globalization

ISBN：978-7-5446-6908-5

出版时间：2021-10

作者：Michael Steppat，

Steve J. Kulich（顾力行）主编

语言：英文

定价：90.00元（优惠价：63.00元）

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"跨文化研究"系列丛书是上外跨文化研究中心的重要学术论文集，自2009年起陆续出版。每辑收录来自多个国家和地区的跨文化研究学者的代表性文章，内容分别聚焦价值观、身份认同、跨文化适应、文学与跨文化研究等主题，通过对世界不同文化的比较与描述探索文化碰撞和交融过程中的现象和错综复杂的关系。迄今已推出9辑。

本书是这一系列之10，重点探讨了"从文化交汇到全球化"这一主题，涉及跨文化比较研究、世界少数民族文化、文化生态系统、多元文化主义和世界主义、文化身份研究以及小说文本分析等内容。

主编简介

迈克尔•斯代帕

Michael Steppat

德国明斯特大学博士，富布赖特研究学者，曾任德国拜罗伊特大学英语文学系主任、教授，并于2015年荣休。德国国家卓越战略研究中心的当选成员，担任俄罗斯联邦高等教育和科学部教授的荣誉职位，曾任上海外国语大学定期客座教授，以及大连外国语大学、莫斯科城市大学的客座教授。著有《美国主义：异类、排斥、交流》、《书写身份：美国文学中民族身份的构建》，等等。

顾力行

Steve J. Kulich

德国洪堡大学博士，上海外国语大学杰出教授，上外跨文化研究中心执行主任，国际跨文化研究学会（IAIR）会长（2017—2021）、主席团成员。上海外国语大学211岗位特聘教授（2010—2012），上海外语教育出版社“跨文化研究”系列丛书主编。

（长按识别或扫描上方小程序码可购书）

章节概览

1

Section One：Exploring Cultural Junctions

This first section focuses especially on cultural crossroads and junctions. The section concentrates on re-thinking some conditions of comparative intercultural inquiry, on cultural interfaces of China (especially film, theater, drama, and ethnic minority literature), then on literary images of Russia and of West Africa. The section features an important thematic focus in terms of world minority literature, as opened in Chapter 2.

In Chapter 1 Ming Xie presents a reconsideration of key epistemological conditions of a research focus on comparative intercultural discourse. Comparative scholarship on cultural junctions can gain much from tracing Xie’s concepts.

As Wen Peihong observes in Chapter 2, China's ethnic minority literatures have been undergoing notable changes in globalization in recent years. The author offers a case study of the bilingual Coyote Traces：Aku Wuwu’s Poetic Sojourn in America, which was translated from Chinese into English.

This is followed by an interview (Chapter 3) which Wen Peihong has conducted with Mark Bender, who is a pioneer in academic approaches to Sino-U.S. and world ethnic or minority literatures. 

Chapter 4 directs attention to film, as Mao Sihui observes the way films can be situated within a glocalized context, the dual process of globalization and localization. This chapter takes a semiotic approach to the study of an important Chinese film: Feng Xiaogang’s The Banquet (2006), a transculturally creative adaptation of William Shakespeare’s Hamlet, Prince of Denmark.

In Chapter 5, Agota Revesz considers theater as a social act, with significant systemic divergences between China and Europe. She analyzes four specific case studies for an awareness of what is expected of a production concerning value orientations and how the concept of “theater" is used. 

Liu Siyuan in Chapter 6 discusses Zaju drama (from the Yuan Dynasty) in connection with German dramatist Bertolt Brecht’s The Caucasiun Chalk Circle, which was composed in the USA.

In the 20th century, a mythical idea of Russia has been projected by British writers. Olga Sobolev and Angus Wrenn in Chapter 7 offer a critical appraisal of this process, making use of the socio-political theories of Edward Said and Pierre Bourdieu.

In Chapter 8, Charles Ngiewih Teke analyzes a case of cultural authenticity, enriched with traditional values, as communicated in an international space: Alobwed’Epie’s novel The Lady with a Beard(Cameroon).

2

Section Two: Interpreting Globalization

This second section studies certain global aspects of cultural experience, with attention to China (China’s “going abroad” discourses and the transcultural turn of memory studies focusing on the global south), the movement of cultural narrative from multiculturalism to are considered cosmopolitanism, and also the Western phenomenological experience of space and movement as re-evaluated in two American narratives.

In a context of global Cultural Studies trajectories, in Chapter 9 Keyan G. Tomaselli and Du Yiwei examine how some trajectories of Cultural Studies research are responding to China’s innovative “going abroad" initiative.

Based on the experience of 20th-century cultural politics, Zhou Min in Chapter 10 examines the assumptions of multiculturalism and explores the possibility of an alternative in terms of a community of common human fate. 

With the sweeping force of globalization, as Yuan Mingqing shows in Chapter 11, memory studies has encountered a “transcultural turn” and is accordingly freed from being conceptualized according to territorial, political, or national boundaries. A concept of “traveling memory” has been proposed, which aims to provide different perspectives for studying the interaction and cross-referencing of memories in the global era.

Geographical Information Systems (GIS) and satellite imagery, specifically Google Earth, are characteristic of the Western phenomenological experience of space and movement in an age of globalization and digitization. In Chapter 12, Inge van de Ven and Tom van Nuenen analyze two American novels and their global representations: William T. Vollmann’s The Atlas and Mark Z. Danielewski’s Only Revolutions.

［节选自《文学与跨文化研究（三）：从文化交汇到全球化》，pp. xxxix-xlii，略有删改］

目    录

Intercultural Research Series Foreword  

Michael H. Prosser

Volume Preface  

Sandra L. Bermann

Cultural Patterns of Communication-Values-Crossroads  

Michael Steppat & Steve J. Kulich

Section One

Exploring Cultural Junctions

1.

“Both Sides of the Mirror"：Comparative Intercultural Inquiry

Ming Xie

2.

Twice-Cross-Cultural Writing and “World Minority Literature"

Wen Peihong

3.

From Appalachia to the Himalayas: An Interview with Mark Bender

Wen Peihong

4.

Film Semiotics, Shakespeare, and Hamlet's Chinese Cousin: Decoding the Narrative of Feng Xiaogang's The Banquet

Mao Sihui

5.

They Do But Jest?— Theater in Different Cultural Ecosystems

Agota Revesz

6.

Zaju and The Caucasian Chalk Circle

Liu Siyuan

7.

The Myth of Russia as an Intertext in British Culture

Olga Sobolev & Angus Wrenn

8.

Intrinsic and Extrinsic Cultural Mutations: Alobwed'Epie's The Lady with a Beard

Charles Ngiewih Teke

Section Two

Interpreting Globalization

9.

Identity, Différence, and Global Cultural Studies: China Going Abroad

Keyan G. Tomaselli & Du Yiwei

10.

From Multiculturalism to Social Cosmopolitanism: Toward a New Narrative Mode

Zhou Min

11.

Memory for Transcultural Understanding? Reading Nairobi to Shenzhen

Yuan Mingqing

12.

Revaluing the Earth Through the Book-Bound Novel

Inge van de Ven & Tom van Nuenen

Appendix

Values and Valuations: Lines of Inquiry

       Michael Steppat & Mine Krause

Ⅰ. Literature and Values

Ⅱ. Intercultural Communication and Values

About the Authors

About the Series

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